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In Thursday’s session (The
Detroit Industrial Murals of Diego Rivera)
Nancy Jones, Director of Education at the Detroit
Institute of Arts, will introduce participants to Rivera’s
spectacular murals in the courtyard of the Institute. Her profile
will identify the themes and explain the techniques that Rivera
employed in creating the frescoes that cover the four walls of the
courtyard. In this session Dora Apel, professor of Art History at
Wayne State University, will trace Rivera’s capacity to provoke
dynamic public response by exploring how, in the words of one
commentator, “the murals belonged to anyone, including the Communist
Party, who used the murals to win new members; civil rights leaders,
who sought support from the working class; and corporate executive
recruiters” This seminar constitutes a tour in itself, but will also
be followed by visits to the Burton Archives of the Detroit Public
Library (for research) and to the Ford Piquette (Model T) plant,
where Robert Casey, Curator of Transportation at the Henry Ford
Museum will discuss (in the year of its centennial) the rise and
fall of the Tin Lizzie. |
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Henry Ford Trade School
Diego Rivera Fresco, 1932
The Detroit Institute of
Arts
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